Within the site, this book matters less as press clipping and more as an institutional inscription of trajectory. It is not just a bibliographic mention: it is a dedicated profile of my work inside a publication that gathers artists from different generations and fields.
The decisive element lies on pages 64–67, where the book articulates three moments that appear separately throughout the site: Cachoeira (2012), sem título, para Mantiqueira (2013), and OCEANVS (2022). This editorial montage makes legible a continuity between the LUZCIDADE series, digital fabrication, and the AYA phase of immersive exhibitions.
There is also an important fold of lineage. The author is Carlos Zibel Costa, the same advisor who accompanied my thesis at FAU-USP. The editorial gesture closes an arc: what began as an academic investigation into light in space reappears years later as a recognizable artistic trajectory inside a printed publication.
“New languages are not limited to new devices for personal use: they are capable of creating sensations necessary for the evolution of society. Technology as artistic manifestation builds the paths of art and the future.”
So far, the book has not been found in public online circulation. The information on this page derives from photographs of the physical copy. For that reason, the site does not republish the full content: it records the existence of the book, the place it occupies within the trajectory, and the editorial data confirmed so far.