Technical and artistic path from mechatronics and live-cinema to the construction of immersive environments and exhibition systems.
Art and technology studio co-founded with Antonio Curti. Immersive exhibitions at Farol Santander, CCBB, SESI/FIESP, Japan House, and Casa Fiat. Space design, technical and artistic conception, coordination of multidisciplinary teams.
Three immersive installations by the Franco-Japanese duo. Technical direction of the installation, credited as exhibition design. Turning point toward the founding of AYA.
Permanent interactive installation with ~7,000 backlit RGB buttons, ~150 PCBs, and ~25 Raspberry Pis. Wesley Lee redesigned the hardware; Vitaliano Palmieri worked on firmware; GTM and I installed and integrated. Based on Google Creative Lab’s Anypixels.js.
3,000 m² described by G1 as “the most high-tech in the world”: studios with 4K cameras, cinema, 360°, and interactive sets.
42 moving lasers synchronized with sound. Matheus Leston developed the control system, soundtrack, and light choreography.
Three editions of Brazil’s largest sertanejo music festival. 2015: Guinness Book of Records — world’s largest LED stage (1,400 m²). Over 1 million viewers on YouTube live. Art direction with João Alencar (Jãozão).
Video-scenery for the DVD “Ivete Sangalo Live at Madison Square Garden”. 240 m² of LED panels plus a 10-meter-tall fabric cylinder. Best-selling DVD of the year. Nominated for Brazilian International Press Award.
Live-cinema performance with Maxifagia collective. First public work: visual programming and real-time video manipulation.