Felipe Sztutman

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Timeline

AYA Studio

2019–present · São Paulo · co-founder, executive and technical direction

Art and technology studio co-founded with Antonio Curti. Immersive exhibitions at Farol Santander, CCBB, SESI/FIESP, Japan House, Casa Fiat. Space design, technical and artistic conception, coordination of multidisciplinary teams.

The Force / GTM Cenografia

2017–2018 · São Paulo and Rio de Janeiro
Dimensão — Nonotak Studio 2018 · Japan House, São Paulo · technical direction

Three immersive installations by the Franco-Japanese duo. Technical direction of the installation (credited as exhibition design). Turning point → founding of AYA.

Google Buttonwall 2017 · Google Brasil lobby, São Paulo · installation and integration

Permanent interactive installation. ~7,000 backlit RGB buttons, ~150 PCBs, ~25 Raspberry Pis. Wesley Lee redesigned all the hardware (100+ manual controller boards). Vitaliano Palmieri did the firmware. GTM and I installed and integrated. Based on Google Creative Lab's Anypixels.js.

YouTube Space Rio 2017 · Pier Mauá, Rio de Janeiro · scenography via GTM

3,000 m² — described by G1 as "the most high-tech in the world". Studios with 4K cameras, cinema, 360°, interactive sets.

Antitempo 2017 · Farol Santander, São Paulo · executive production (The Force)

42 moving lasers synchronized with sound. Matheus Leston developed control system, soundtrack, and light choreography.

BijaRi

2008–2017 · São Paulo · VJ, live-cinema, art direction
Villa Mix Goiânia ×3 2013–15 · Estádio Serra Dourada · art direction

Three editions of Brazil's largest sertanejo music festival. 2015: Guinness Book of Records — world's largest LED stage (1,400 m²). Over 1 million viewers on YouTube live. Art direction with João Alencar (Jãozão).

Ivete Sangalo DVD — Madison Square Garden 2010 · New York · video-scenery

Video-scenery for the DVD "Ivete Sangalo Live at Madison Square Garden". 240 m² of LED panels + 10-meter tall fabric cylinder. Best-selling DVD of the year. Nominated for Brazilian International Press Award.

Entropicália 2008 · Itaú Cultural, São Paulo · live-cinema

Live-cinema performance with Maxifagia collective. First public work — visual programming + real-time video manipulation.

Education

2002–2014
FAU-USP — Design 2007–14 · Thesis LUZCIDADE, advisor Carlos Zibel Costa, committee Giselle Beiguelman
New York Visualists 2009 · Lab-Office with Rodrigo Bellotto and Gian Spina
COTUCA / Unicamp — Mechatronics 2002–04 · Campinas